My work grounds digital processes, devices, and experiences in their physical and material origins–lending mass, body, and substance to the virtual. To investigate how humans, digital technologies, and landscapes mutually shape one another, I compose assemblies of rocks, minerals, research, digital technology, language, video, and sculpture. These humorous and fantastical configurations explore the interconnected forces, emotions, and economies between bodies and materials while collapsing and confusing geologic and contemporary timescales. 

New, craggy landscapes emerge, powered by the hum of soft bodies and hardware.