My work seeks to ground digital processes, devices, and experiences in their physical, emotional, and material origins–lending mass, body, and substance to the virtual. To investigate how humans, digital technologies, and landscapes mutually shape one another, I compose assemblies of natural materials, digital technology, language, audio, ceramics, and sculpture. The physical and natural within my work become methods of seeing, touching and understanding the abstracted experiences of language and the digital. 

New, hybrid landscapes emerge, powered by the hum of soft bodies and hardware.